Editorial photograph of an open binder with a music publishing agreement on a wooden desk next to a laptop and a stack of paperwork in soft daylight.

The Mechanical Licensing Collective is the most under explained part of the modern royalty system. Established under the Music Modernization Act, the MLC collects streaming mechanical royalties in the United States from a long list of digital services. For independent songwriters, getting registered is rarely optional, and most who skip it never realize what they leave on the table.

What the MLC collects

The MLC collects mechanical royalties from US interactive streaming and limited download services under a blanket license. Mechanical royalties are the songwriting royalty on the reproduction of a composition. They are separate from performance royalties, which PROs like ASCAP and BMI collect, and separate from sound recording royalties, which go to the master rights holder.

How registration works

Independent songwriters either register directly with the MLC as a Self Administered Publisher or are registered through a publishing administrator. A publishing administrator, paid as a small percentage of collections, often makes sense for songwriters who do not want to handle the paperwork themselves.

The blanket license and the matching process

Digital services pay the MLC, which matches royalties to specific works using ISRC, ISWC, and metadata supplied by registrants and rights holders. Works with incomplete metadata are harder to match and may accumulate in the unmatched pool. The MLC publishes its matching and claim processes.

Unmatched royalties

Royalties that cannot be matched accumulate. They can be claimed by submitting evidence of authorship and registration. Songwriters who never register often have unmatched royalties they could collect with proper paperwork. The Copyright Office publishes the MMA framework that governs how the MLC handles unmatched balances.

The honest framing

An active independent songwriter who is not registered with the MLC, directly or through a publishing administrator, is almost certainly leaving money in the unmatched pool. Registration is a small operational step that protects years of work.

Key takeaways

  • The MLC collects US streaming mechanicals under the Music Modernization Act.
  • Independent songwriters typically need to register, directly or through a publishing administrator.
  • The blanket license covers most US streaming services.
  • Unmatched royalties accumulate in a black box if works are not registered.
  • Registration is rarely optional for an active independent songwriter.
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Frequently asked

What is the MLC?

The Mechanical Licensing Collective is the entity established under the Music Modernization Act to collect and distribute streaming mechanical royalties in the US.

Do I need to register?

Most independent songwriters need to register, either directly or through a publishing administrator that registers on their behalf.

What happens to unmatched royalties?

They accumulate in a holding account and can be claimed; the MLC publishes its matching and claim processes.

Further reading on From The Stem

· Royalties and Ownership hub
· Four Royalty Streams for Independent Songwriters
· Masters and Publishing, the Two Engines
· FTSMusic Definitions